In my work, I have concentrated on the sculptural use of 'poor' materials. Consistent with this, I have used methods of construction that suggest a poverty of means, possibly of ambition. I think of this as a bedsit aesthetic, domestic in scale and atmosphere- makeshift, and transient, like souvenirs of forgotten holidays.

I have also worked in text and performance, concentrating in a similar way as in the object based work on the specific language or syntax of those who lack personal and economic power in the present order of things.